| 1. | Introduction - personal account of how the database was created. |
| 2. | About the Database - a description of the contents of the database and its purpose. |
| 3. | Editorial Policy - detailed criteria used in selecting materials. |
| 4. | Errata - known errors in this database. |
| 5. | Notes on the Current Release - notes on this version. |
| 6. | Software Requirements - notes on which browsers are supported. |
| 7. | Technical Support - whom to contact for technical support. |
| 8. | Subscription and Free Trial Information - how to get a subscription or a trial. |
| 9. | License Agreement - licensing terms and conditions. |
| 10. | Acknowledgements - charter customers and individuals who contributed. |
| 11. | How to Contribute Materials or Comments - how to contribute materials. |
| 12. | Copyright and Performance Permission Statement - copyright terms and conditions. |
| 13. | Archiving - how this material is preserved for the future. |
| 14. | Cataloging Records - what kind of MARC records will be available for this collection. |
| 5. Notes on this Release
This release of the database includes approximately 1,200 plays by 200 playwrights. |
| 7. Technical
Support
You can contact us by:
When reporting a problem please include your customer name, e-mail address, phone number, domain name or IP address and that of your web proxy server if used. |
| 8. Subscription and
Free Trial
Information
Black Drama is available for one-time purchase of perpetual access, or as an annual subscription. Please contact us at sales@alexanderstreet.com if you wish to begin a subscription or to request a free 30-day trial |
| 11. How to Contribute Materials or
Comments
Our goal is to create a unique archive of Black Drama according to the editorial criteria expressed above. We welcome contributions from organizations and individuals, especially if you have materials that are unpublished or of unique interest. Submitting materials to our editors is easy and without obligation on your part. If you have collections of substantial value, we may be able to pay you a royalty in return for the rights to use them.
|
| 12. Copyright and Performance
Rights
Professionals and amateurs are hereby warned that plays and materials in this database are fully protected under the copyright laws of the United States of America, and all other countries covered by the International Copyright Union (including the British Commonwealth and Canada), and of all countries covered by the Pan-American Copyright Convention, and the Universal Copyright Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including but not limited to professional, amateur, motion pictures, recitation, lecturing, public reading, radio broadcasting, television, video or sound taping, all other forms of mechanical or electronic reproduction, including information storage and retrieval systems and photocopying, and the rights of translation into foreign languages, are strictly reserved. Plays from this collection may not be performed without securing permission from the appropriate copyright holders, as listed in the bibliographic display for each play.. Particular emphasis is laid upon the question of readings, permission for which must be secured in writing. All production rights reserved. Under no circumstances may any electronic form (CD-ROM, online, or other local storage medium) be used to create production copies of the plays. Specific performance rights information for each play can be found in the bibliographic detail display for that play. Alexander Street Press makes no guarantee that this information is correct. For plays where no performance rights information is listed Alexander Street Press does not warrant that no performance rights exist. We are eager to hear from any rights owners who are not properly identified so that appropriate information may be provided in the future. Please e-mail the editor at the address below. |
| 13. Archiving
Texts produced for Black Drama are considered research materials and receive the same level of stewardship as books, paper documents, and photographs. Once complete, copies of the database will be given to all purchasing institutions, so ensuring that the materials are available to subsequent generations. |
| 14. Cataloging
Records
MARC records are available for this
collection. |
|
Produced in collaboration with the University of Chicago. Send mail to Editor@AlexanderSt.com with questions or comments about this web site. Copyright © 2009 Alexander Street Press, LLC. All rights reserved. PhiloLogic Software, Copyright © 2009 The University of Chicago. |